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Twitter Snippets (6 November 2017) - Taiko no Tatsujin x IDOLiSH7 Collaboration

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The year's not over yet, but the Taiko collaboration announcements are already branching out to the next year! The first of those to be announced is an event that will tie the series with the rhythm game/visual novel IDOLiSH7 mobile game, with the tweet teaser already mentioning the future venture of new songs and custom dancers for those.

While, again, the event is rolling out in 2018, expect to hear more about this campaign next month.

First Video: Groovy Duel

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 Groovy Duel (3/5/7/10; 655 notes on Oni)

Today's Yellow Version update has come, and so is the Mobile Suit Gundam Thunderbolt collaboration song. Tacked with a 10-star rating, this Oni feels like the lesser cousin of No Gravity with its low note count and multiple rhythm changes, although being shaped to be a more easy-to-clear task than many other modern 10-star-rating tracks before it. Expect an update to our former SotW feature about the song coming soon!

Here are some other notices concerning the arcade update that deserve a brief mention:
  • Oodain's Oni mode has been demoted to an 8-star rating, while its Futsuu mode is now rated as a 7*;
  • The blurred-out songs of the Challenge! 1400 Drumrolls!! Dojo Ranking Gaiden trial from last week's preview picture turned out to be respectively Honey Heartbeat ~10 Stars Mix~ and Necrofantasia ~Arr. Demetori;
  • General Asia's Yellow Version arcades have also been updated today with Oodain and the three new Dojo Ranking Gaiden courses. Groovy Duel, however, is not included and no song deletion notices have been issued as of now (Source).

Twitter Snippets (8 November 2017) - ???Long Version Time???

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In a similar way to how the long version of Shiny Kung-fu Revival has been (subsequently) revealed 2 years ago (link), it appears that t+pazolite's future albums are going to have some more of his rhythm game music magic on them!

The picture concerning his next solo album, scheduled to a Winter 2017 release, has quite the tell that Taiko-rooted tracks might show up once again, with a track marked as !!!?????!!! slated for a formal reveal on November 20th. This, of course, points out to the coming of a certain song, but will it be the regular cut or a longer version? And will some of his other songs on Bandai Namco grounds make their appearance as well?!?

Song of the Week! 11 November 2017

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November 11th in China is known as the "Singles' Day", made to celebrate those single individuals that are proud to be classed in said social status.

With that in mind, here's a single from China in our spotlight... with 'single' stated as referring to a commercially-released song, of course!

 Tong Hua (童話) Michael Wong
Version
Allx2 (58)x4 (106)x4 (165)x6 (244)
 Taiko 11 Asia, 12 Asia
 66.49-68
 none
 ???


Clearer audio video (on Sanbai)

China's influence in overall Taiko gaming is a lot slimmer than many would think, with most of the songs that come from the 2+ billion-populated nation being actually made by mixed-nationality performers. That is also the case for the artist of today's featured song!

Tong Hua (lit. 'Fairy Tale') is composed and performed by the Malaysian-Chinese singer/songwriter Michael Wong Kong Leong (王光良), performing since 1995 as Michael Wong. Born in Malaysia on August 30th, 1975, he began his musical career in a singing duo with Victor Wong Pin Kuan until the year 2000, where the joint was disbanded after a mutual agreement. Micheal Wong's solo career is distinguished by the many love songs and ballads that he released for his albums, up to be later known in the Oriental musical scene as "the Prince of love ballads".

The peak of his popularity has culminated with the release of this third studio album on January 21st, 2005, titled Tong Hua due to the aforementioned song being its opening piece. Being more used to compose songs rather than write lyrics for them, Michael Wong asked about 30 different artists for suggestions on Tong Hua's lyrics and, after adding a few personal touches, he let Japanese producer Taichi Nakamura to arrange and produce his final product. Tong Hua's critical and public acclaim could be really compared to a fairy tale's happy ending, as a number of accolades earned by the love song made it Michael Wong's strongest and most popular single to date.

Shortly after its debut, it made into the top spot of the Baidu 500 downloading service, where it stayed on top for the longest amount of consecutive time ever registered thus far with 15 weeks in a row. Tong Hua (the song AND the album) also warranted its creator to be awarded multiple prizes at 2005's Hong Kong TVB8 Golden Music Awards, including the Best Composition, Best Composer/Artist, Top Ten Songs of the Year, and Best of the Year's Top 10 Songs categories. It's also been on top of the most-played choices in many karaoke services across the nation for multiple years in a row, no less!

Featuring multiple minor BPM shifts along the way (one for each stanza's beginning), this love ballad in Taiko is charted like many others before (and after) its General Asia-exclusive arcade ventures, with its Oni mode featuring 3 and 5-note slow clusters in different combinations, with some drumrolls spliced in.

Taiko Plus/STH - November '17 GTH Additions

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New songs are coming for the Android/i-devices Taiko Plus app, all headed to the Gakkyoku Tori Houdai mode. At this point it's just as surprising as us catching notice of mobile-related news days/weeks/months later!

Gakkyoku Tori Houdai Adds: November 8

 Soup
 Kagerou (カゲロウ)
 Kimi no Shiranai Monogatari (君の知らない物語)
 Saika
 Negai wa Esperanto (願いはエスペラント)
 Kimi no Planet (君のプラネット)

Namco Taiko Blog (16 November 2017) - Taiko PS4's First Licensed DLC Content

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The week-long period of radio silence from the Taiko Team has been brought to an end with today's blog entry, starring the first DLC songs that are going to be muted for PS4 livestream means are coming from the license-heavy song genres.

Starting with some wallet-less song delivery, three licensed picks are going to be distributed for free from December 25th to January 1st, 2018: two for the Pops genre (Koi and Silent Majority) and Kamen Rider Build's Be The One, making its Taiko debut on Session de Dodon ga Don.


For the Vocaloid lover inside everyone but Lokamp, there's also an Hatsune Miku song pack that can be purchased from December 25th as well! Priced 390 Yen (+ taxes), this is a 3-song pack containing the fan-favorites SenbonzakuraMiku Miku ni Shite Ageru♪【Shite Yan Yo】and Hatsune Miku no Shoushitsu -Gekijouban-, complete with Ura Oni modes for those who have it. It'll also possible to play Senbonzakura with quite the guest character...


That's right: it's the Senbonzakura outfit version of Hatsune Miku! She can also be unlocked as a custom Petit Chara by simply clearing the song once.


For those in Japan who want to try the PS4 Taiko game in advance, there's also going to be another playtest session at Aeon's Kita and Lake stores (respectively on Nov.23 and Nov.25). The Taiko no Tatsujin memo pad below will be gifted to all the attenders, no less! (until supplies are left)


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Twitter Snippets (17 November 2017) - New Taiko x Osomatsu-san Collaboration Teaser

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This post's title says it best, and so does the attached picture! As a primer to the future collaboration event with the Osomatsu-san series, here's a sample of the promotional goodies that will be available with it: custom Kigurumi parts, to match your looks to any of the Matsuno siblings.

Song of the Week! 18 November 2017

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Back for another 'blast from the past' feature, this time around starring the Taiko origins of quite the oddball shoot-em-up song trilogy...

 Xevious Taisou (ゼビウス体操)
Version/
Taiko 4--x7 (337)x10 (337)
Taiko 5-x4 (213)x7 (337)x9 (337)
Taiko PS2 2-x4 (213)x7 (337)x9 (337)
Taiko PSP 2x4 (129)x6 (213)x7 (289)x8 (337)
 Taiko 4, 5, Taiko PS2 2, Taiko PSP 2
 130
 Gymnastics (Original) -> Game Music
 ???


We've heard it Christmas-themed on this corner before and we've heard it original-styled as well, yet neither of these constitute the earliest invasion of music from Xevious, Namco's 1982 vertical scrolling shooter game. That honor, in fact, goes to quite the peculiar remix which molded the game's base BGM into an... exercise song?! Gymnastics broadcasts in Japan have played quite the heavy role in the country's pop culture, so much so that most radio stations are doing dedicated morning "Radio Taisou" broadcasts to start the day in a fit way, a custom that perseveres to this very day.

This Xevious rendition has been molded under the same spirit, with Yuri Musumi (みすみゆり) as its composer. The lyrics for this Taisou track have been penned by quite the important figure for the Taiko series' history: Ken Nakadate (中館賢), the current overall producer of the entire franchise as well as part-time lyrics writed for many other Namco Original tracks up until the Wii days, most notably including the 2nd Wii title's theme song, Lalala Happiness. While Xevious Taisou's singer has not been officially revealed in any Taiko-related merchandise to date, Kenji Ninuma (新沼謙治) is currently speculated to be the most likely person for the role to be given credit to, given the resemblance with his vocal contributions to the Katamari Damacy videogame series' earliest entries.

Coming from the old days of Taiko gaming, it's expected to see a song getting multiple changes with each passing game: starting from the temporary genre classification and one notechart for both Oni and Muzukashii modes, the Xevious Taisou has progressively got more unique modes and a proper genre label, ending up with a "legit" unique set on the 2nd Playstation Portable Taiko title, as part of its downloadable content lot. The one chart that was made for its debut back in Taiko 4 has remained the same one in all of the song's releases, with some of the earliest charting attempts on 1/16 cluster combinations on a low-flowing BPM value; its low note count, however, is definitely one factor to be accounted for its Oni mode's later rating devaluation, though!

Ike, Mekadon! Lyrics

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Composition: Kimitaka Matsumae (松前公高)
Lyrics: Hideki Kimura (キムラヒデキ)
Vocals: Susumu Matsumoto (松本進)

Japanese
俺、メカドン!(どんどん) (ore, Mekadon! (don-don))
まっかなアンテナひからせて (makkana antenna hikara sete)
お腹のリベットきまってる(かっこいい) (onaka no rivet kimatteru (kakkoii))

つどえ、軍団!(だんだん) (tsudoe, gundan! (dan-dan))
1から5号とバラエティ(よりどりみどり) (ichi- kara go-gou to variety (yori dori midori))

行け、メカドン!(どんどん) (ike, Mekadon! (don-don))
5つの力を1つにあつめ (itsutsu no chikara o hitotsu ni atsume)
宿敵どん・かつ たおすのだ(たおすのだ) (shukuteki Don Katsu taosu noda (taosu noda))

合体、メカドン!(どんどん) (gattai, Mekadon! (don-don))
どん・かつたおしてお祭りだ(カーニバル) (Don Katsu taoshite o matsurida (carnival))

「ああ、今日も負けちゃった ("aa, kyou mo makechatta)
 だってうなぎのおやじ (datte unagi no oyaji)
 不良品売りつけるんだもん…」 (furyouhin uritsukeru'n damon...")

泣くな、メカドン(るるる) (nakuna, mekadon (rururu))
力およばず負けた日も (chikara oyobazu maketa hi mo)
明日に向かって叫ぶんだ(夕日のばかやろう) (ashita ni mukatte sakebu'nda (yuuhi no bakayarou))

復活、メカドン!(どんどん) (fukkatsu, Mekadon! (don-don))
あしたはきっといい日だよ(がんばるぞ) (ashita wa kitto ii hi da yo (ganbaru zo))

English translation
I am Mekadon! (don-don)
Whose brightly red antenna shine
And the rivets on the stomach rivet is always out (so cool)

Gather round, my corps! (each and every)
From numbers 1 through 5, there is such variety (take your pick)

Forward, Mekadon! (don-don)
The powers of five gathers into one
For the defeat of arch-nemesis Don and Katsu (their defeat)

Combine, Mekadon! (don-don)
Up for the festival at the defeat of Don and Katsu (carnival)

"Aah, I have failed once again today
 All because that uncle eel
 Selling me defective products..."

Cry not, Mekadon (ooh-ooh-ooh)
Even on a day losing due to unattained strength
Still face tomorrow and shout out (crying fool under the sunset)

Revive, Mekadon! (don-don)
Tomorrow will definitely be a good day (doing the very best)

Twitter Snippets (17-20 November 2017) - INSPION 2017's Autumn Auditions Grand Winner (+ Extra)

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The INSPION enrollment audition session of which we already talked about last month (link) has finally come to an end! As the Taiko Team Twitter account has retweeted the most relevant announcements this morning, up here we can see the announcement for the winner of the Vocals section: the Youtube user nagisa .f under the artist name ORI-Hime (ORI姫).

As announced in the past, our winner will be featured in official Taiko games in the future, as the female vocalist who landed the 1st place in the Best Vocals category is going to take part in new recording endeavors with both INSPION and NAMCO SOUNDS musicians. Below these lines, you can also have a look at the winners/honorable mentions for the INSPION contest's two categories:

Best Vocal - Excellence Award
Best Vocal - Honorable Mentions
Best Creativity - Excellence Awards



...so, you looked after the jump, don't you? Here's an extra b!t of tr!v!a to reward your cur!os!ty, then: t+pazol!te's new mus!c game song that was teased last week has been now off!c!ally revealed to be !!!Chaos Time!!!, wh!ch w!ll be appear!ng !n h!s next solo album as the extended 'Uncut Ed!t!on'.

See? That k!nd of typ!ng !s such a normal and un-pretenc!ous way to announce stuff that !t can also be used by us here!

Twitter Snippets (November 21 2017) - IDOLiSH7 Collab Drumming Up Heated Support

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Surprise additional scope for the Taiko no Tatsujin x IDOLiSH7 Collaboration!

Participating idols from the game are forming a Taiko no Tatsujin Cheering Squad (太鼓の達人応援団) (NB.: no relation to a certain pink game) being ambassadors for the collaboration. See the teaser silhouettes from the tweet above. Plus, if Donders clear the upcoming IDOLiSH7 song on arcade Taiko no Tatsujin for a designated number of times, the cheering squad will be graced with the addition of a certain idol from that certain group!

Further news to be expected in early December, so stay tuned.

Across Japan (November 22 2017): The Follow-suit Removal, December 2017 edition

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By this time all of us should have expected that song removals in Japan will be mirrored in greater Asia in due course because of license expiry and whatnot. Here is the confirming piece for the latest of those removals on December 6 2017, for instance. If you forget where else you could have found these songs after the removal, we have copy-pasted the list below the jump again for your reference.

Link to original post

Song Removals: December 6 2017
Follow Me 
   Also: Vita1 / Wii U3 (DL) / iOS
365日のラブストーリー。 365 Nichi no Love Story.
   Also: PSPDX (DL ended) / 3DS1 / iOS
チョコレイト・ディスコ Chocolate Disco
   Also: Wii U1 / 3DS2 (DL) / iOS
雪だるまつくろう Do You Want To Build A Snowman
   Also: 3DS2 (DL) / Wii U2 (DL) / iOS
Dokkin♢魔法つかいプリキュア! Dokkin♢Mahou-tsukai PreCure! 
   AC0 exclusive
青春サツバツ論 Seishun Satsubatsu-ron
   Also: iOS / Vita1
やじるしになって! Yajirushi ni Natte!
   Also: Wii5 / iOS
LET'S GO OUT
   Also: Wii U2 (DL)
人生リセットボタン Jinsei Reset Button
   Also: Wii U1 / iOS / PSPDX (DL ended)
チルドレンレコード Children Record
   Also: 3DS3
IMITATION BLACK
   Also: Wii U3
卑怯戦隊うろたんだー Hikyou Sentai Urotander
   AC0 exclusive
あたりまえ体操 Atarimae Taisou
   Also: PSPDX (DL ended) / iOS

Namco Taiko Blog (24 November 2017) - Playstation 4's End-of-November Content Delivery

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With yesterday being a national holiday in Japan, the weekly blog entry has come one day later to inform Taiko fans about the next Taiko-themed content's coming for PlayStation 4's users.

Starting with the never-heard-before stuff, it's possible to download a free Home menu theme with Amazon's latest campaign! The Session de Dodon ga Don theme is offered to everyone buying the game with a Kindle-related campaign between November 23rd, 2017 and January 8th, 2018. The theme will play a lyricless version of the PS4 Taiko game's theme song and will have custom icons and backgrounds for all the scrolling screens. Even Don/Kat noises can be heard by moving across the menu voices!



The remainder of the post is devoted to remind of the 2nd Donder Pack's release, coming out next Thursday.


Link to original post

Song of the Week! 25 November 2017

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Once again, I landed on our Discord group looking for song suggestions to be featured for this Saturday, with the early replies generally asking from something spicy in the Classic genre...

...it hardly gets spicier than today's featured track, trust me!

 Charlie Dash! (チャーリー ダッシュ!)
Version
Allx4 (148)x7 (298)x8 (481)x10 (858)
 Taiko 0 Mu, Taiko 3DS 3, Taiko Wii U 3, Taiko PS Vita
 50-320
 none
 clscds


Everyone's favorite modern speed demon has finally arrived in our corner! Coming from Taiko V Version as one of the game's unlockable tracks, Charlie Dash is one of the many recent Classic arrangements to be composed by the NAMCO SOUNDS artist Katsuro Tajima (田島勝朗), already the creator of a few other original songs as well as the trio of Classic song arrangements dubbed by us as the Rock-omatopoeia series.

This guitar-heavy piece is a rendition based on Csárdás, the rhapsodical concert piece that was written in 1904 by Italian composer Vittorio Monti (1868-1922) from Naples. The original Csàrdàs was based on the traditional Hungarian folk dance of the same name, whose naming is based on the old Hungarian term standing for 'tavern' (csárda). The lively nature of the Csàrdàs was interpreted and adapted by the Italian composer into an averaging four-and-a-half-long performance in seven sections for violin, mandolin or piano, which later on also got custom arrangements for orchestral performance and other solo instruments. It's not uncommon for this concert piece to be played by gypsy orchestras nowadays, due to the piece's unique tempo composition.

The Namco-rooted arrangement of the Csàrdàs sports a punny name, with the Japanese pronunciation of 'Charldash' (チャールダーシュ) getting slightly altered into the Charlie Dash nomenclature that Taiko players have grown to know (and fear!) in recent memory. This track is featured on V Version as the boss track that is played in the fight against the clown-looking Love Breaker (ラフブレイカー) and after its release on modern arcade shores as part of the V Version tie-in campaign, it became a recurring DLC companion in recent Nintendo Taiko gaming memory.

Charted by SueP and quoted by several Taiko Team members as 'the embodiment of rage in chart form', Charlie Dash's mode set quickly rose up to fame for its aggressive BPM changes, with its Oni mode sporting the highest base BPM ever registered for a song in Taiko no Tatsujin series to date! Even so, the 320 BPM peak is not even the scariest section to handle, as the two main Go-Go Time zones' brutal speed shifts (230 and 245 BPM respectively) will make facing its longest cluster successions a nightmare... even considering the fact that not patterns are repeated more than once for these sections! Nearly all the other BPM speed shifts in the song are charted with a Go-Go Time flair as well, putting even more pressure on being as accurate as possible in the most relaxed portions.

Taiko no Tatsujin Blue Version (AC0B)

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We've been treated with 8/9-long life cycles for modern Taiko arcade firmwares thus far, but it appears that Yellow Version is going to be lasting a little longer than the former firmware releases, as a sneak peek into the one arcade vendor we've been checking for a while is telling us today!

Indeed, it appears that the next color in modern Taiko gaming's firmware canvas is coming out next year during March, this time around being labeled as the Blue Version. There's nothing else noteworthy to mention besides the obvious, so we're back playing the waiting game...

Twitter Snippets (29 November 2017) - New iDOLM@STER SideM Song for Taiko Arcades

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Thanks to Bankslammer from the Taiko no Tatsujin Discord group for the find!

With the main Taiko Twitter feed being dormant, new cross-over-y song inclusion notices are properly chronicled elsewhere on the Internet, with the latest find involving the SideM spin-off of the iDOLM@STER series.

As a result of livestream-fueled notices, it has been made public that another song from the male-oriented series is going to appear to Taiko arcades soon: Reason!!, from the recently-debuting SideM Anime series. Its release date, however, is still unknown...

UPDATE (30 November 2017) - This song inclusion has also been addressed by the Taiko Team as well (link)! We also come to know that the Twitter handle's name has been changed into a 'Taiko no Tatsujin' label...

Namco Taiko Blog (30 November 2017) - Blog/Twitter Updates Schedule Change

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We end this November on a low note, with the latest official blog entry foreshadowing a lower new-post ratio from now on, due to an internal change of social media management. In today's notice, in fact, we're being told that there's not going to be a weekly blog update guarantee from now on: as opposed to before where Thursdays are the usual new-post day, the Taiko Team blog will now be updated only when the staff is ready to share the latest news. The same goes for the Twitter handle, which will be only active if there's going to be a new notice to be shared.

If the posting schedule is going to change again in the future, there's going to be another official blog entry to address later changes.

Link to original post

Taiko Plus/STH - December '17 GTH Additions

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The next batch of Gakkyoku Tori Houdai additions save some of the upcoming removals from Yellow ver. ... but they were not the AC0 exclusives so what's the point :/

Gakkyoku Tori Houdai Adds: December 1 2017
24 karats TRIBE OF GOLD
365日のラブストーリー。 365 Nichi no Love Story.
LET'S GO OUT
ロシア民謡メドレー Russian Folk Medley
朱の旋律 Aka no Senritsu
真・画竜点睛 Shin Garyoutensei (+Ura)

Song of the Week! 2 December 2017

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As we caught notice weeks ago, Yellow Version arcades are about to permanently lose some other songs... for the third time in the lifespan of a single arcade version, a questionable first in HD Taiko gaming.

To better impress the mileage of this dubious milestone in the series' arcade history, we have a triple feature with the three Anime licenses that are about to leave official Taiko gaming for good next Wednesday...

 ETERNAL BLAZE Magical Girl Lyrical Nanoha A's
Version
Allx3 (83)x3 (114)x5 (228)x7 (320)
 Taiko 0 S to 0 Y
 105-155
 none
 ???


Our first victim comes from the launch lineup of the first color-named Taiko HD firmware build, with the opening theme of the Magical Girl Lyrical Nanoha series' 2005 sequel, dubbed "A's" (read as "Ace").

The original Nanoha series was directed by Akiyuki Shinbo (新房昭之) for the Seven Arcs production studios, born as the spin-off of the eroge/album collection Triangle Heart, also from the same director. Broadcast in 2004, this magical girl series chronicles the adventures of the nine-years-old elementary student Nanoha Takamachi, in her quest to retrieve 21 ancient artifacts known as the "Jewel Seeds" for a shape-shifting young mage in order to prevent their use as monster catalysts.

With the 13-episode series getting a wide recognition as well as popular merchandise-related plans, another series was realized and broadcast between October and December 2005, set six months after the first one's resolution. Nanoha's quest in A's to fill up the pages of the Book of Darkness with both old and new acquaintances proved to be as popular as the original run for the general public, so much so that two A's-related fighting games by Bandai Namco were made for the PlayStation Portable: one in 2010 (Magical Girl Lyrical Nanoha A's Portable: The Battle of Aces) and the other the year later (Magical Girl Lyrical Nanoha A's Portable: The Gears of Destiny). Not to mention that the 2012 compilation movie of the A's series, Magical Girl Lyrical Nanoha: The Movie 2nd, ended up grossing more than 500 million Yen overall!

ETERNAL BLAZE is lyricised and performed by Nana Mitsuki (水樹奈々), who is also notable in Nanoha lore for being the voice actress of one of its main characters (Fate Testarossa). The song's composer, on the other hand, is Noriyasu Agematsu (上松範康), the founding member of the so-dubbed "music production brand" Elements Garden, mostly aimed to videogame and Anime-related musical works. This is also the second modern, non-cover license starring Nana Mitsuki to be permanently removed from anything official Taiko, after Valvrave the Liberator's Preserved Roses.

We've spent a lot of words in order to briefly talk about the Nanoha series' general grounds but when it comes to its representative song's Taiko notecharts, we can lay back to the usual "Anime-approved" repeating charting tropes that a lot of tunes from the Anime genre share with each other, such as repeated stanza sequences with slight changes and a 1/16 charting dominance.

 Dokkin♦ Mahou Tsukai PreCure! (Dokkin♦ 魔法つかいプリキュア!)
Version
Allx1 (58)x2 (113)x4 (271)x5 (345)
 Taiko 0 W to 0 Y
 176
 none
 ???


Jumping to White Version, we're eager to see that even certain Bandai Namco staples for the Taiko series (and its anime division in general) isn't immune from perma-removals! We've already talked about the Pretty Cure series in general years ago (click here!), so we're only going to focus on the highlighted series for this instance.

The 13th installment in Toei Animation's PreCure franchise, Mahotsukai PreCure! (魔法つかいプリキュア; lit. 'Witch PreCure!') was broadcast from February 2016 to January 2017, for a total of 50 episodes. This is yet another magical girl series, with the two main heroines -the 13-years-old Mirai Asahina and the magician Riko- studying magic as a means to aid their search of the Linkle Stone Emerald, a mysterious item that is also desired by the evil Dokuroxy and his army of dark monsters. The Mahotsukai PreCure series's lasting impact to the franchise in general made it so for the series to be converted in manga form (still ongoing to this day), with movie roles in both cameo form and feature-length portrayals of the series' setting. The series itself has also been nominated as one of the official mascots for the upcoming Olympic games of Tokyo 2020, alongside other Japanese animation giants like One Piece, Dragon Ball and Sailor Moon.

When compared to ETERNAL BLAZE, the Mahotsukai PreCure series' first opening theme (used for episodes 1-21) sports an higher page and slightly more notes on its harder modes, but the more prominent presence of note stanza repetition has played a big part into the song's lower star rating. After all this years, it's (almost) a staple of the PreCure themes in Taiko, after all!

 Ikenai Borderline (いけないボーダーライン) Macross Δ
Version
Allx3 (108)x4 (132)x5 (261)x7 (390)
 Taiko 0 R to 0 Y
 161
 none
 ???


The last unfortunate future loss also comes from an Anime saga we've talked about on these lines before... and not just that- the exact same series, too! Thus, we kindly forward you to this previous SotW entry for a brief description of the Macross Delta series, as here we'll be concentrating on the song in hand.

Ikenai (lit. "Don't/Shouldn't") Borderline is the Macross Delta series's first insert song, being featured on the episodes 1, 2, 8 and 13. Lyricized by Naoki Nishi (西直紀) and composed by Minoru Komorita (小森田実), this is one of the many song in the series that are performed by the fictional idol unit Walküre, the same one of the Macross Delta opening theme Ichido Dake Koi Nara.

Bearing a little more notes than today's former featured tracks, Ikenai Borderline's Oni is another addition to the "generic Anime charting" brigade, being a little bit more lenient on 3+-notes clusters with single notes in the heated Go-Go Time portion.

  Ikenai Borderline (いけないボーダーライン) Macross Δ
Version
All---x7 (533)
 Taiko 0 R to 0 Y
 161
 none
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We've seen it with Lion, we've seen it (again) with Ichido Dake Koi Nara and now we're about to witness it a third time: Macross songs in modern Taiko arcades are simply not made to last... Ura Oni or not Ura Oni!

Thus, we have to give one last salute to Taiko Team member Yamaguchi (ヤマグチ)'s hidden charting effort for this song in all the subsequent official Taiko gaming, leaving behind a modern 8-star challenge that is more generous on supplying stamina-draining, consecutive cluster sections and 1/24 spikes in spades.

Kagayaki o Motomete Lyrics

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Artist: Versus
  Vocals: Fuuko (ふーこ)
  Guitar: Carlos (カルロス)
  Bass: Taicha (たいちゃー)

Japanese lyrics sourced from original Creofuga submission.

Japanese
feel you light…… 光射す道は遥か (feel you light...... hikari sasu-michi wa haruka)
さあ、畏れ捨ててゆこう 永遠の空へ (saa, osore sutete yukou eien no sora e)

重たく刻む一秒 欠伸する針は (omotaku kizamu ichi-byou akubi-suru hari wa)
何も変わらぬと 同じ言葉を回る (nani mo kawaranu to onaji kotoba o mawaru)
描く明日と昨日 何が変わっただろう? (kaku ashita to kinou nani ga kawatta darou?)
違うようで同じ 螺旋の日々 (chigau you de onaji rasen no hibi)

聞こえる? 溢れ出す夢の欠片達 (kikoeru? afure-dasu yume no kakera-tachi)
掴め(届け)迷わずに (tsukame (todoke) mayowazu ni)
星を結んだ先 線が交わり 君は輝きを知る (hoshi o musunda saki sen ga majiwari kimi wa kagayaki o shiru)

今追いかけ求める 一つ(一つ)刹那の種 (ima oikake motomeru hitotsu (hitotsu) setsuna no tane)
両手広げて感じよう 印を軌跡を (ryoute hirogete kanji you shirushi o kiseki o)
消失する境界線 天よ(地よ)終わりは無い (shoushitsu suru kyoukaisen ten yo (ji yo) owari wa nai)
蝋の翼でも翔べるさ 不可能を越えて行け (rou no tsubasa demo toberu sa fukanou o koete ike)

信じて、叶う世界 (shinjite, kanau sekai)
遥かな未来へ想い焦がれてる (harukana mirai e omoi kogareteru)

English translation
Feel you light...... The path the light shines runs far away
Now, dispose of your fears and proceed, into the skies of eternity

This second ticked heavily, the yawning second hand
Without anything changing, revolves over the same words
A illustrated tomorrow and yesterday, what has changed in there?
They might feel different, yet still the same spiralling days

Do you hear? The fragments of dreams overflowing
Gripping on (delivering) without hesitation
Before the stars bind and the lines cross, you will know of the brightness

Now chasing and wanting, that one (that one) seed of transience
Opening both hands to feel it, as a sign, as a trajectory
Boundary lines disappears, oh heavens (oh earth) there is no end
Fly even with wings of wax, going over the impossible

Believe in a world realized
Craving for thoughts towards a far-reaching future

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